Django Reinhardt – Renown And Resistance 1937-1943. Django’s recordings with his string-band group the Quintette du Hot Club de France are legendary, and rightly so. But he played in many different contexts, and this collection brings together a mass of recordings of him with other swing-era musicians. One of the highlights is a session with Rex Stewart and Barney Bigard from the Ellington band; together they make some of the best small-group swing on record.
John Zorn – More News For Lulu. The original News For Lulu album was a landmark of the 1980s avant-garde, taking on traditional hard-bop tunes with a very untraditional lineup: Zorn on alto, George Lewis on trombone, Bill Frisell on guitar. This live recording is even better, the players more assured and adventurous.
Duke Ellington – Piano In The Background. A somewhat obscure session that delivers the opposite of what the title promises: it’s a feature for Ellington’s often-underrated piano playing. The repertoire is largely familiar territory for the band but Ellington’s solos lift the playing out of the ordinary. The 1960s were a great decade for Ellington: two years after this he would record the stunning piano-trio masterpiece Money Jungle.
Steve Lacy – Blinks. A terrific, exciting live recording from a great working band. The rhythm section of Jean-Jacques Avenel and Oliver Johnson push the horn players (Lacy and his longtime partner Steve Potts) to startling heights.
Archie Shepp – Blasé. Of most interest on this 1969 Paris session are the first two tracks, in which Shepp brings in two harmonica players and the adventurous vocalist Jeanne Lee to improvise alongside his rough-edged tenor. The result feels like a glimpse of a possible new musical genre, a sort of free blues.