Hank Mobley – And His All Stars. The perenially underrated tenor saxophonist Hank Mobley recorded a string of interchangeably-titled dates in the mid-50s, all of which have their moments. But this 1957 session is really a cut above thanks to the presence of Milt Jackson, who lifts the proceedings to another level. Just a sterling example of mainstream jazz.
Julian Lage – Live In Los Angeles. Lage is a virtuosic young jazz guitarist whose twangy sound pays homage to the country and rock traditions. He won my heart by tackling early jazz obscurities like “Persian Rug,” which I know from a 1928 recording with Fats Waller on organ. But he is not at all a moldy fig–these are modern, free-flowing improvisations. The extended live versions to me are better and more energetic than the ones on his studio album; the whole thing is free on Youtube.
Bessie Smith – Empress of the Blues: Volume 2, 1926-33. It turns out I have been a Bessie Smith fan for years without even knowing it. Many of my favorite classic blues tunes that I know from other singers–“Gimme A Pigfoot And A Bottle of Beer”, “Careless Love”, “I Need A Little Sugar In My Bowl”, “Nobody Knows You When You’re Down and Out”–were made famous by her, but I had not sought out the original recordings until now. The sound on this JSP collection is quite impressive, Smith’s incredibly strong voice just punches through.
Harry Miller – 1941-1983: The Collection. It’s a bit unfair to put this on a list of recommendations since it is long out of print, but I felt compelled to share since it is by far the best music find I have ever made at a thrift store. Miller was a South African bassist who lived in London, and his work straddles British free jazz and the more groove-oriented South African scene. He has strong groups on Family Affair and Down South which are the most consistent albums, but his solo bass recording Children At Play is also interesting. A live recording from this period is available from the essential Cuneiform Records.
The Sun Ra Arkestra – Live At Babylon. The music produced by the current edition of the band, under the leadership of Marshall Allen, is perhaps not as complex and weird as it was under the master himself, but that is really just a quibble. This 2016 live recording captures the Arkestra’s ferocious groove and exuberant melding of the tonal and atonal; the long version of “Discipline 27” is just a monster.