Frank Kimbrough – Monk’s Dreams: The Complete Compositions of Thelonious Sphere Monk. Obviously, a lot of Monk: all 70 compositions are given full and respectful readings by a jazz quartet, for more than five hours of music. Less obviously, it’s also a lot of bass saxophone. Scott Robinson, who occupies the horn chair in the quartet, is almost as promiscuous in his multi-instrumentalism as Anthony Braxton, and like Braxton shares a love for the low-end instruments. Hearing the supposedly cumbersome bass sax lightly dance through the quirky angles of Monk’s tunes is one of the highlights of this tribute.
John Luther Adams – Four Thousand Holes. A gorgeous piece of minimalist composition, which is indeed built from very simple elements: piano, percussion, a bit of electronics. Adams is one of my favorite contemporary composers.
Melba Liston – Melba Liston And Her ‘Bones. The first (perhaps only?) prominent female trombonist in jazz, Liston was also a gifted arranger and in her later career worked extensively with the great Randy Weston. This package collects some of her work from the mid-50s, and her interesting arrangements lift the material above other mainstream jazz of the period.
Keith Hudson – Playing It Cool. An amazing piece of dark, rhythmic dub experimentalism from 1981. Almost everything I’ve heard by Hudson is absolutely essential, funky, compelling and strange in equal measures.
Charlie Haden – Not In Our Name. Haden’s 1968 Liberation Music Orchestrais one of the classics of radical 60s jazz, but (whisper it) I actually like this 2004 follow-up recording even better (the orchestra itself is entirely different, sharing only Haden and pianist/arranger Carla with the original incarnation). Jazz compositions are intermixed with Bley’s transformations of quintessential American musical pieces such as Amazing Grace and bits of Barber’s Adagio for Strings and Dvorak’s New World Symphony.