Eric Dolphy – Musical Prophet: The Expanded 1963 New York Studio Sessions. A reissue with new material of two of Dolphy’s best albums, Conversations and Iron Man, that hopefully will draw more attention to these somewhat neglected recordings (see this appreciation by Richard Williams for more background). The arrangements for larger groups are quite interesting, but for me the real highlights are the more intimate pieces, especially the duets between Richard Davis on bass and Dolphy on bass clarinet.
Joe Lovano – Trio Tapestry. An unusual, minimalist outing for Lovano, a trio with just Marilyn Crispell on piano and Carmen Castaldi on drums. I first heard Crispell in the 1990s when she was a terror of aggressive free jazz; her recent ECM recordings, like this one, display a much gentler side.
Hearts & Minds – Electroradiance. Another oddball trio, featuring the Chicago-based bass clarinetist Jason Stein along with Paul Giallorenzo on synthesizer and Chad Taylor on drums. The instrumentation is like something Sun Ra would throw together over a weekend, and indeed the combination of avant-garde sounds with a backbeat is a little reminiscent of some of his 1970s experiments. But altogether it’s a completely original sound, and how often do you encounter that?
Matthew Shipp – Pastoral Composure. An excellent and almost-but-not-quite traditional quartet led by pianist Shipp and featuring super-bassist William Parker and Roy Campbell on trumpet. Every tune has a different feel and approach–a kind of variety surprisingly uncommon for jazz albums–making for a very satisfying listen.
Philip Cohran – Armageddon. Though a legend of the 1960s avant-garde, Cohran did not leave behind many recordings. All of them are worth hearing for their Afro-spiritual vibe and the powerful sound of his invented Frankiphone, sort of an amplified thumb piano. If this short concert recorded in 1968 does not quite rise to the level of his masterpiece On The Beach, it definitively has its moments.