What I’ve been listening to lately

  • Don Cherry – Art Deco. After playing a lot of world music, flute and percussion in the 1970s, Don Cherry re-engaged with the jazz tradition in this fine 1988 recording. It’s a reunion of the Ornette Coleman quartet, with James Clay in the sax chair, that ranges from Charlie Haden playing folk tunes on the bass to a respectful take on “Body and Soul.” Clay’s playing is absolutely stellar, as Ethan Iverson emphasizes in his appreciation of this album.
  • Charlie Haden – The Ballad of the Fallen. The second album by Haden’s Liberation Music Orchestra project is much less well known than the 1969 original, but I think it’s even better. The fusion of jazz and Latin American folk music is more assured and convincing, and Carla Bley’s arrangements are gorgeous.
  • Lee Konitz – The Lee Konitz Duets. A startlingly original and diverse recording that still sounds completely fresh 50 years later. Konitz plays duets with several musicians on different instruments, before combining everyone into a larger group session. A huge variety of sounds and styles.
  • Myra Melford – Snowy Egret. A quintet featuring the wonderful Ron Miles on cornet plays Melford’s compositions just beautifully–they take many surprising turns while remaining very listenable.
  • Art Blakey – The Freedom Rider. In honor of Blakey’s centennial I spent some time exploring some of the massive pile of Jazz Messengers recordings I had never got around to listening to before. This one really stood out: all killer, no filler, with Wayne Shorter and Lee Morgan in the front line. As a bonus, the cover is one of the best-ever Blue Note photographs.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.