What I’ve been listening to lately

  • Kim Kashkashian – J.S. Bach: Six Suites For Viola Solo. This adaption of Bach’s cello suites for the viola is beautifully played, and succeeded in making me hear these classic pieces differently.
  • Art Ensemble of Chicago – We Are On The Edge. Like basically every Art Ensemble album, their 50th anniversary celebration is a pretty mixed bag–but the high points are indeed very high, and the recording is gorgeously clear. The two surviving founding members have gathered a huge cast of Chicago jazz stars around them, making for a very different sound than their past recordings (the string players in particular stand out).
  • Jackie McLean – Action. One of a series of outstanding albums the great vibes player Bobby Hutcherson (RIP) made for Blue Note in the 1960s, in groups variously led by himself, the trombonist Grachan Moncur III, and alto player McLean. All of the albums are worth hearing, this one is especially fine.
  • Espen Aalberg – Basement Sessions Vol. 4 (The Bali Tapes). These joyful jam sessions, led by the Norwegian drummer Aalberg, hark back to the enthusiasm for world music that swept the jazz world in the 1960 and 70s. A worthy addition to the very short list of attempts at jazz-gamelan fusion.
  • Masada String Trio – The Circle Maker. John Zorn’s decades-long Masada project produced both a distinctive set of themes for jazz improvisation, and distinctive ensembles to play them. The unique sound of the Masada String Trio–violin, cello, bass–is perhaps the best match of ensemble with this “radical Jewish” repertory. I’ve been listening to all of their recordings again recently, and this may be the most consistent.

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