The best books I read in 2023

The most memorable of the books I read this year, listed more or less in the order I read them.

Fiction

  • Nathanael Ian Miller, The Memoirs of Stockholm Sven. A misfit seeks isolation in the remote Svalbard archipelago but instead finds social connection in the icebound wastes; utterly charming.
  • Raymond Chandler, The Long Goodbye. I re-read all of Chandler, in the Library of America edition, and this one is still my favorite, one of the great hard-boiled novels. Chandler had real problems writing women and more than one of the Marlowe books are ruined by the totally implausible female characters. This one shows his strengths, being primarily about male friendship.
  • Willa Cather, The Professor’s House. I’ve also been working my way through Cather, who I love unconditionally. She’s best known for her early Prairie Trilogy, which is wonderful, but in this book she begins to tackle subjects outside rural Nebraska. A strange, almost plotless story, it somehow stayed in my head more than anything else I read this year.
  • Stefan Hertmans, War and Turpentine. A prizewinning and wonderfully translated book that vividly reconstructs an ordinary Belgian life in the early 20th century, and the First World War. It’s billed as a novel though it is based on the author’s own grandfather’s notebooks; intense and extraordinarily moving.
  • Haruki Murakami, 1Q84. Simultaneously engrossing and inexplicable in a manner that only Murakami can pull off. It’s very long and very weird, and trying to describe it in more detail seems pointless. But I can report I was never once tempted to stop reading.
  • Ursula K. LeGuin, The Left Hand of Darkness. I read this as a teenager and can now safely say it went over my head; re-reading as an adult I was completely bowled over. Perhaps LeGuin’s best single book. It is most often discussed for its portrait of a society without fixed gender roles. But what elevates it to greatness is how much else is going on at the same time: the nature of war, politics and diplomacy, and some of the finest arctic survival writing.
  • Varlam Shalamov, Sketches of the Criminal World: Further Kolyma Stories. For literature about surviving cold and human cruelty, there is little to top Shalamov’s Kolyma Stories; this second volume continues his great documentary project of life in the gulag. It’s rewarding, though the whole thing is a lot. Someone should put together an edited selection from both volumes, structured to give a clearer chronology of Shalamov’s time in the camps; that would probably be more accessible for most people.
  • Maggie O’Farrell, The Marriage Portrait. A gripping and immediate piece of historical fiction, portraying a child bride struggling with the fear and claustrophobia of life in an Italian court in the Medici era.

Nonfiction

  • Romila Thapar, Gazing Eastwards: Of Buddhist Monks and Revolutionaries in China, 1957. An idealistic Indian historian visits Mao’s China and is gradually disillusioned. The book is itself a historical artifact documenting an unusual interaction between the two huge Asian nations. For more, see my review.
  • David Edmonds, Parfit: A Philosopher and his Mission to Save Morality. Biographies of intellectuals tend to be either more about the work or more about the life. In Parfit’s case the division did not exist, and much of the interest of this book is in how his pathbreaking work in ethics is reflected (or not) in his life decisions.
  • Katherine Rundell, The Golden Mole and Other Living Treasures. Rundell’s occasional series of natural-history essays in the London Review of Books has been one of my favorite things in the magazine; this book collects them and adds more. It’s an absolute treasure, with so many perfect openings (“The Roman poet Horace was stridently anti-giraffe”) and brilliant one-liners that it must be savored in small doses.
  • Daniel James Brown, The Boys in the Boat. Inspirational sports books are not my normal fare, but this one, about the US rowing team that took gold at the 1936 Olympics in Berlin, is great. The effort and reward of training and competition really come through. It’s most interesting, though, as a slice of social history: almost everything about the key drivers of the story–sports, social class and America’s position in the world–has since changed drastically.
  • Tyler Cowen, GOAT: Who Is the Greatest Economist of All Time and Why Does It Matter? A surprisingly personal and consistently thought-provoking engagement with the great historical figures of economics. It’s definitely not an “economics for beginners” book; to appreciate it you should have some familiarity with Keynes, Hayek et al. already. For me, it was pitched at just the right level, and there was lots of new info and fresh takes. As Tyler likes to say, “interesting throughout.”
  • Max Weber, Charisma and Disenchantment: The Vocation Lectures. Perhaps the shortest and most accessible introduction to the GOAT of social thought. This new translation is concise and conversational, virtues not normally associated with Weber. Much of what he covers in these famous lectures is still quite relevant a century on; for an example see this excerpt.

Previous lists:

20222021 | 2020 | 2019 | 2018 |

2017 | 2016 | 2015 | 2014 | 2013 | 2012

The best music I heard in 2023

The best of the music I listened to for the first time this year, listed in order of release date. Overall a pretty amazing year for music, both in new releases and older discoveries.

  • Exploding Star Orchestra – Lightning Dreamers (2023). Rob Mazurek’s big band has been exploring the outer reaches of jazz, composition and spacey grooves for almost two decades now, creating an extraordinary body of work. The new album is great, pushing further into new territory with a more focused and studio-oriented approach.
  • Natural Information Society – Since Time Is Gravity (2023). Joshua Abrams’ minimalism-jazz-trance-world ensemble has created one of the most distinctive sounds in contemporary music. A new record from them is a major event, at least in my musical world, and this one, featuring Chicago tenor legend Ari Brown, is awesome.
  • Buddy Guy – Damn Right Farewell Tour (2023). At the age of 87, Guy delivered one of the most memorable concerts I’ve ever seen: a seamless stream of storytelling, blues history and impossibly noisy guitar. It was simultaneously avant-garde and traditional in a way I can only compare to the Sun Ra Arkestra, who I had just seen two weeks prior.
  • James Brandon Lewis – For Mahalia, With Love (2023). The energetic young saxophonist delivers a perfectly judged synthesis of old and new: the simple, powerful gospel themes make for compelling improvisations from his modernist group.
  • Tyshawn Sorey – The Off-Off Broadway Guide to Synergism (2022). An epic live recording from drummer-composer Sorey’s piano trio, along with jazz elder Greg Osby, playing extended takes on standards and modern jazz classics. Absolutely fresh and in the moment.
  • Jeff Parker – Mondays At The Enfield Tennis Academy (2022). Long, pulsing pieces that are exploratory without ever letting go of the beat. A similar vibe from a similar group, also featuring guitarist Parker and bassist Anna Butterss, is on this year’s record by Daniel Villareal, Lados B.
  • Nina Simone – The Montreux Years (2021). The centerpiece of this reissue package is a complete 1968 concert by Nina at the height of her powers; better than any best-of compilation, it shows just how her unmatched voice forged a singular style from diverse material.
  • Marc Ribot – Plays Solo Guitar Works of Frantz Casseus (2021). The self-described noise guitarist plays these classical guitar pieces straight, in support of his teacher Casseus’ ambition to make a distinctive Haitian contribution to the repertoire. They are lovely, rhythmic miniatures.
  • Kuniko Kato – J.S. Bach: Solo Works For Marimba (2017). I love Bach, and I love the marimba, so I thought I would probably like Bach played on marimba. I was right! An absolutely gorgeous sound.
  • Fretwork – Purcell: The Complete Fantazias (2009). Marvelous Baroque counterpoint played by an all-viol ensemble. I know little of Purcell, but the comparisons of this long-neglected chamber music, from 1680, to some of Bach’s abstract masterpieces seem apt to me.
  • Darondo – Let My People Go (2006). A compilation of obscure but wonderfully soulful early 70s funk, from a mysterious figure who recorded little and later vanished from view. He gets close to the exalted level of Al Green, or Sly Stone’s solo records.
  • The Temptations – Psychedelic Soul (2003). A great overview of the male vocal group’s 1968-1973 collaborations with Barnett Strong and Norman Whitfield: extraordinarily creative and sublimely funky.
  • Augustus Pablo – El Rockers (2000). Pablo was given top billing on what is generally considered the single best dub reggae album, King Tubbys Meets Rockers Uptown. This is one of two excellent compilations of more spaced-out instrumentals from that period; the other is the earlier In Fine Style.
  • Joe Lovano – Trio Fascination (1998). A late-period classic of the sax-bass-drums trio, featuring jazz elders Dave Holland on bass and Elvin Jones on drums. The follow-up Flights of Fancy, with an assortment of different trios, is also worthwhile.
  • King Sunny Adé – Synchro System/Aura (1984). These two albums, re-released together, can be seen as the final installment of a trilogy of masterpieces of Nigerian juju, after the early compilation The Best Of The Classic Years and the crossover hit Juju Music. For me, they’re all essential.
  • Old And New Dreams – Old And New Dreams (1979). In an apparent bid to confuse future search technology, the group Old And New Dreams, made of Ornette Coleman’s old bandmates, recorded not one but two albums called Old And New Dreams. Both are great but I had previously missed this one, on ECM, in the confusion; it has what is perhaps the definitive version of Coleman’s “Lonely Woman.”
  • Tony Allen – No Discrimination (1979). After working with Fela Kuti to create the Afrobeat sound, drummer extraordinaire Tony Allen went his own way toward the end of the 1970s, recording a series of solo albums; this is my favorite of the bunch.
  • Stanley Turrentine – Dearly Beloved (1961). A certified soul-jazz classic. The big-toned tenor player recorded this album not long after his marriage to organist Shirley Scott, and they are definitely in sync here.

Previous lists: 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014

DALL-E prompted with the names of the artists in this list